Film theory and criticism : introductory readings
Edited by Leo Braudy, Marshall Cohen
- 8th ed.
- New York : Oxford University Press, c2016.
- xviii, 940 p. : ill. ; 24 cm.
From Film Technique / Vsevolod Pudovkin [On Editing] / Vsevolod Pudovkin From Film Form / Sergei Eisenstein Beyond the Shot [The Cinematographic Principle and the Ideogram] / Sergei Eisenstein The Dramaturgy of Film Form [The Dialectical Approach to Film Form] / Sergei Eisenstein From What Is Cinema? / Andre Bazin The Evolution of the Language of Cinema / Andre Bazin From Film Language / Christian Metz Some Points in the Semiotics of the Cinema / Christian Metz Semiotics and the Cinema: Metz and Wollen / Gilbert Harman The Discourse of Pictures: Iconicity and Film Studies / Stephen Prince The Tutor-Code of Classical Cinema / Daniel Dayan Against "The System of the Suture" / William Rothman From Theory of Film / Siegfried Kracauer Basic Concepts / Siegfried Kracauer The Ontology of the Photographic Image / Andre Bazin The Myth of Total Cinema / Andre Bazin De Sica: Metteur-En-Scene / Andre Bazin From Film as Art / Rudolf Arnheim The Complete Film / Rudolf Arnheim The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema / Jean-Louis Baudry From Mystifying Movies / Noël Carroll Jean-Louis Baudry and "The Apparatus" / Noël Carroll The Establishment of Physical Existence / Siegfried Kracauer From Theory of the Film / Bela Balks The Close-up / Bela Balks The Face of Man / Bela Balks Film and Reality / Rudolf Arnheim The Making of a Film / Rudolf Arnheim Ideological Effects of the Basic Cinematographic Apparatus / Jean-Louis Baudry From Theorizing the Moving Image / Noel Carroll Defining the Moving Image / Noel Carroll From The Virtual Life of Film / D.N. Rodowick An Elegy for Film / D.N. Rodowick Statement on Sound / Vsevolod Pudovkin / Grigori Alexandrov / Sergei Eisenstein Aural Objects / Christian Metz From The Voice in Cinema / Michel Chion The Voice in the Cinema: The Articulation of Body and Space / Mary Ann Doane Technology and Aesthetics of Film Sound / John Belton From Sound Theory/Sound Practice / Rick Altman Four and a Half Film Fallacies / Rick Altman Theater and Cinema / Andre Bazin From The World in a Frame / Leo Braudy Acting: Stage vs. Screen / Leo Braudy From Concepts in Film Theory / Dudley Andrew Adaptation / Dudley Andrew From D.W. Griffith and the Origins of American Narrative Film / Tom Gunning Narrative Discourse and the Narrator System / Tom Gunning Film Music and Narrative Agency / Jerrold Levinson Peter Wollen Godard and Counter Cinema: Vent d'est / Jerrold Levinson Notes on Spectator Emotion and Ideological Film Criticism / Carl Plantinga Notes on the Auteur Theory in 1962 / Andrew Sarris From Signs and Meaning in the Cinema 404 The Auteur Theory [Howard Hawks and John Ford] / Peter Wollen The Face of Garbo / Roland Barthes From From Reverence to Rape / Molly Haskell Female Stars of the 1940s / Molly Haskell From The Material Ghost / Gilberto Perez [On Keaton and Chaplin] / Gilberto Perez From Stars / Richard Dyer From The Genius of the System / Thomas Schatz "The Whole Equation of Pictures" / Thomas Schatz From America's Corporate Art: The Studio Authorship of Hollywood Motion Pictures / Jerome Christensen Genre: The Conventions of Connection / Leo Braudy From Film/Genre / Rick Altman A Semantic/Syntactic Approach to Film Genre / Rick Altman Conclusion: A Semantic/Syntactic/Pragmatic Approach to Genre / Rick Altman Notes on Film Noir / Paul Schrader Ideology, Genre, Auteur / Robin Wood Film Bodies: Gender, Genre, and Excess / Linda Williams From Men, Women, and Chainsaws / Carol Clover Feminist Frameworks for Horror Films / Cynthia A. Freeland The Art Cinema as a Mode of Film Practice / David Bordwell Cinema/Ideology/Criticism / Jean-Louis Comolli / Jean Narboni From The Imaginary Signifier / Christian Metz Identification, Mirror / Christian Metz The Passion for Perceiving / Christian Metz Disavowal, Fetishism / Christian Metz Visual Pleasure and Narrative Cinema / Laura Mulvey From The Women Who Knew Too Much: Hitchcock and Feminist Theory / Tania Modleski The Master's Dollhouse: Rear Window / Tania Modleski An Aesthetic of Astonishment: Early Film and the (In) Credulous Spectator / Tom Gunning From White / Richard Dyer Lighting for Whiteness / Richard Dyer Black Spectatorship: Problems of Identification and Resistance / Manthia Diawara The Oppositional Gaze: Black Female Spectators / Bell Hooks The Mulatto Cyborg: Imagining a Multiracial Future / Leilani Nishime From The Language of New Media / Lev Manovich Synthetic Realism and Its Discontents / Lev Manovich The Synthetic Image and Its Subject / Lev Manovich Digital Cinema and the History of a Moving Image / Lev Manovich From Change Mummified / Philip Rosen The World in the Palm of Your Hand: Agnes Varda, Trinh T. Minh-ha, and the Digital Documentary / John Belton The Digital Multitude / Kristen Whissel Cinema 3.0: The Interactive-Image / Kristen Daly Tarantino's Star Wars? Digital Cinema, Media Convergence, and Participatory Culture / Henry Jenkins Quentin Time Zones and Jetlag: The Flows and Phases of World Cinema / Dudley Andrew From Unthinking Eurocentrism: Multiculturalism and the Media / Robert Stam / Ella Shohat Stereotype, Realism, and the Struggle Over Representation / Robert Stam / Ella Shohat Reconceptualizing National Cinema(s) / Stephen Crofts The Difficulty of Being Radical: The Discipline of Film Studies and the Postcolonial World Order / Mitsuhiro Yoshimoto Film and Cultural Identity / Rey Chow Chinese Cinema and Transnational Film Studies / Yingjin Zhang Issues in World Cinema / Wimal Dissanayake.