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_aWaste land _h[videorecording] / _cpresented by Almega projects ; O2 Filmes production ; directed by Lucy Walker ; co-directed by João Jardim, Karen Harley ; produced by Angus Aynsley and Hank Levine. |
| 260 |
_aNew York, N.Y. : _bAlmega Projects ; Distributed in the U.S. by New Video, _cc2010. |
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| 300 |
_a1 x DVD ; _c95 min. |
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| 500 | _aOriginally produced as a motion picture in 2009. | ||
| 500 | _aSpecial features include: featurettes Waste land: beyond Gramacho (ca. 16 min.); An untold story (9 min.). | ||
| 500 | _aCredits: Director of photography, Dudu Miranda ; editor, Pedro Kos ; music, Moby ; dialogue transcriptions/translations, Olivia Wolfe, Carla Madiera, Beatriz Franco, Carlos Andre Oighenstein, Joana Galetti, Joca Vidal, Mauro Blanco, Fernanda Almeida Rocha, Cassia Talpalar, Andre W. Esteves. | ||
| 500 | _aPerformer(s): Vik Muniz, Fabio Ghivelder, Isis Rodrigues Garros, José Carlos da Silva Baia Lopes (Zumbi), Sebastião Carlos dos Santos (Tião), Valter dos Santos, Ledie Laurentina da Silva (Irmã), Magna de França Santos, Suelem Pereira Dias. | ||
| 500 | _aAwards: Winner 2010 SaÌo Paulo International Film Festival Itamaraty Award for Best Documentary; JoaÌo Jardim, Lucy Walker, Karen Harley; 2010 Sundance Film Festival, Audience Award World Cinema-Documentary; Lucy Walker; 2010 Berlin International Film Festival, Amnesty International Film Prize; Lucy Walker, Karen Harley, JoaÌo Jardim, and Panorama Audience Award; Lucy Walker, Karen Harley, JoaÌo Jardim; Full Frame Documentary Film Festival, Audience Award, Best Documentary; IDA Awards, Best Documentary. | ||
| 520 | _aBrooklyn based artist Vik Muniz grew up poor in Brazil. This film follows him as he returns to Rio de Janeiro, specifically to Jardim Gramacho, or "Garbage Garden." The world's largest landfill, it receives 7,000 tons daily, an astonishing 70% of all Rio's garbage. "We are not pickers of garbage; we are pickers of recyclable materials," says Tião, a catadore, or trash picker who thinks of himself and his fellows as environmentalists. The pickers have a union, which has built a recycling center, medical clinic, day care and skills-training centers, and community lending library of discarded books for their members. Muniz photographs a number of the pickers, reworks the photographs with garbage, and auctions several in London. Believing in the transformative power of art, Muniz donates the proceeds to the pickers who posed, in recognition of their lives, in honor of the dignity of their work. | ||
| 505 | 0 | _aSugar children -- The realm of fine arts -- Jardim Gramacho -- Association of pickers -- A picker's life -- Honest work -- A family to support -- Making art -- Becoming a work of art -- Auction in London -- Museum of Modern Art exhibit -- Credits. | |
| 600 | 7 |
_aMuniz, Vik. _2sears |
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| 650 | 7 |
_aTrash art. _2sears |
|
| 650 | 7 |
_aRagpickers _zBrazil _zRio de Janeiro. _2sears |
|
| 650 | 7 |
_aSanitary landfills -- _zBrazil _zRio de Janeiro. _2sears |
|
| 650 | 7 |
_aWaste disposal sites _zBrazil _zRio de Janeiro. _2sears |
|
| 650 | 7 |
_aPoor _zBrazil _zRio de Janeiro _xSocial conditions. _2sears |
|
| 650 | 7 |
_aFound objects (Art) _2sears |
|
| 650 | 7 |
_aGroup work in art. _2sears |
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| 005 | 20170126095955.0 | ||
| 001 | 53281 | ||
| 003 | UOWD | ||
| 942 | _cDVD | ||
| 999 |
_c20604 _d20604 |
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