000 | 01125pam a2200301 a 4500 | ||
---|---|---|---|
008 | 830811s1984 enk b 001 0 eng | ||
010 | _a 83017365 | ||
020 | _a0195033949 | ||
020 | _a9780195034288 (pbk.) | ||
020 | _a9780195033946 | ||
040 |
_aDLC _cDLC _dDLC _dICrlF |
||
050 | 0 | 0 |
_aPN1995 _b.A49 1984 |
082 | 0 | 0 |
_a791.43/01 _222 |
100 | 1 |
_aAndrew, Dudley, _d1945- |
|
245 | 1 | 0 |
_aConcepts in film theory / _cDudley Andrew. |
260 |
_aOxford ; _aNew York : _bOxford University Press, _c1984. |
||
300 |
_axiv, 239 p. ; _c22 cm. |
||
520 | _aThe author provides an account of the state of film theory and shares his views on key ideas in film theory, including perception, representation, signification, narrative structure, adaptation, valuation, identification, figuration, and interpretation. | ||
504 | _aIncludes bibliographical references (p. 191-229) and index. | ||
650 | 0 |
_aMotion pictures _xPhilosophy. |
|
650 | 7 |
_aMotion pictures _xPhilosophy. _2sears |
|
035 | _a(IMchF)fol01904109 | ||
526 | 0 | _aMMC926 | |
005 | 20170126100124.0 | ||
001 | 54565 | ||
003 | UOWD | ||
942 | _cREGULAR | ||
999 |
_c21628 _d21628 |