| 000 | 02566nam a22003018a 4500 | ||
|---|---|---|---|
| 008 | 070627s2007 ne b 001 0 eng | ||
| 010 | _a 2007026803 | ||
| 020 | _a9780240807799 (pbk.) | ||
| 040 |
_aDLC _cDLC _dDLC |
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| 050 | 0 | 0 |
_aTR850 _b.B514 2007 |
| 082 | 0 | 0 |
_a778.5/3 _222 |
| 100 | 1 | _aBlock, Bruce | |
| 245 | 1 | 4 |
_aThe visual story : _bcreating the structure of film, television, and visual media / _cBruce Block. |
| 250 | _a2nd ed. | ||
| 260 |
_aAmsterdam ; _aBoston : _bFocal Press, _c2007. |
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| 263 | _a0711 | ||
| 300 |
_axii, 297 p. : _bcol. ill. ; _c26 cm. |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aThe visual components -- Contrast and affinity -- Space part one -- Space part two -- Line and shape -- Tonecolor -- Movement -- Rhythym -- Story and visual structure -- Practice, not theory. | |
| 650 | 0 | _aCinematography. | |
| 650 | 0 | _aVideo recording. | |
| 035 | _a(IMchF)fol13430527 | ||
| 520 | _aThe Visual Story offers a clear view of the relationship between the story/script structure and the visual structure of a film, video, or multimedia work. An understanding of the visual components will serve as the guide to strengthening the overall story. The Visual Story divides what is seen on screen into tangible sections: contrast and affinity, space, line and shape, tone, color, movement, and rhythm. The vocabulary as well as the insight is provided to purposefully control the given components to create the ultimate visual story. For example: know that a saturated yellow will always attract a viewer's eye first; decide to avoid abrupt editing by mastering continuum of movement; and benefit from the suggested list of films to study rhythmic control. The Visual Story shatters the wall between theory and practice, bringing these two aspects of the craft together in an essential connection for all those creating visual stories. Bruce Block has the production credentials to write this definitive guide. His expertise is in demand, and he gives seminars at the American Film Institute, PIXAR Studios, Walt Disney Feature and Television Animation, Dreamworks Animation, Nickelodeon Animation Studios, Industrial Light & Magic and a variety of film schools in Europe. The concepts in this book will benefit writers, directors, photographers, production designers, art directors, and editors who are always confronted by the same visual problems that have faced every picture maker in the past, present, and future. | ||
| 005 | 20170126100407.0 | ||
| 001 | 56920 | ||
| 003 | UOWD | ||
| 942 | _cREGULAR | ||
| 999 |
_c23628 _d23628 |
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