000 02838nam a22002297a 4500
999 _c26231
_d26231
010 _a 2014466315
020 _a9781625645999
020 _a9781625645999
082 0 4 _a113
100 1 _aKrukowski, Lucian,
_d1929-
_940515
245 1 0 _aBefore the beginning, during the middle, after the end :
_bcosmology, art, and other stories
_cLucian Krukowski
260 _aEugene, Or. :
_bPickwick Publications,
_cc2014.
300 _avii, 239 p. ;
_c23 cm.
520 _aThe divisions that mark my subject are three. The first is that point where the world begins--where it appears from out of the mystery of non-being. The second lies somewhere between its progeny and its future--the times between beginnings and ends where we, the beneficiaries of our being-here, come together to sing a celebration of the wonder that it happened at all, and then intone the fear of its ending. The third division is a speculation on ends--our own and the ending of the world. I use these divisions to locate a something that comes from nothing onto a historical tradition that imposes a value on the progression of that something, and so requires a judgment on all that has passed. I first discuss these through religious attempts to invest life and history with purpose--for they form the major explanatory traditions of Western culture and are a thematic source of much of its greatest art. I continue with an art-critical approach where themes of process and purpose are located in artworks through their stylistic histories and ambitions. I indicate how present art, when open to reconstitute such themes, could change the nature of today's efforts to give art polemical purposes, and so provide new reasons for its making. I conclude with some stories, unevenly biographical, partly fictional, which I offer as parables for the developed themes and their transformations. This last aim is to elucidate a view of art as providing specific symbols for a cosmology of beginning, living, and ending.
650 0 _aCosmology
_xPhilosophy
_940516
650 0 _aAesthetics
_940517
856 _uhttps://uowd.box.com/s/tsqzavy8bp2yk6o8uj6vo8g3trmvol9c
_zLocation Map