000 | 02833nam a22003378a 4500 | ||
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008 | 140929s2015 enk 000 0 eng | ||
010 | _a 2014037843 | ||
020 | _a9780230336971 | ||
040 |
_aDLC _beng _cDLC |
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042 | _apcc | ||
050 | 0 | 0 |
_aPN1997.I65 _bP35 2014 |
082 | 0 | 0 |
_a791.43/72 _223 |
084 |
_aART057000 _aSOC052000 _2bisacsh |
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100 | 1 |
_aPalmer, Tim, _d1975- |
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245 | 1 | 0 |
_aIrreversible _cTim Palmer |
260 |
_aLondon : _aNew York : _bPalgrave Macmillan, _cc2015. |
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263 | _a1412 | ||
300 |
_axxiv, 164 p. : _bill. ; _c20 cm. |
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490 | 0 | _aControversies | |
520 |
_a"Gaspar Noé's Irreversible is uncompromising and visceral, an essential piece of modern cinema. Punctuated by dazzling avant-garde techniques, the film depicts, in reverse-chronological order, a woman's rape and her boyfriend and friend's subsequent hunt for vengeance through the underworld of Paris. Confrontational yet influential, Irreversible has polarized audiences since its release in 2002, making it until now almost impossible to study dispassionately. This first book-length study of Irreversible situates Noé's work in the ecosystem of contemporary French media, exploring how Irreversible and a larger-scale Cinéma du corps actually inspired France's film resurgence in the early twenty-first century. From there, Palmer shows Irreversible to be one of the most subversive star vehicles in recent world cinema, in the form of its iconic lead performers, Vincent Cassel, Monica Bellucci, and Albert Dupontel. Investigating the spectrum of reactions created by Noé's film -- through its pugnacious stylistic design, its on-screen deconstruction of Paris, its international critical reception and its unexpectedly utopian counterpoints to violence and despair -- the book generates a new rational dialogue about Irreversible that challenges any instinct simply to reject or condemn it. "-- _cProvided by publisher. |
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505 | 8 | _aMachine generated contents note: -- 1. Civilization and Its Discontents: Irreversible in the French Film Ecosystem -- 2. Irreversible and the Cine;ma du corps -- 3. Gaspar Noe;: Alone Against Everything -- 4. Noe; Destroys All Things: Irreversible's Narrative and Stylistic Design -- 5. Cassel, Bellucci, Dupontel: Irreversible as Rogue Star Vehicle -- 6. All of the Evil of This World: Irreversible's Critical Reception in France, the UK, and North America -- 7. Bellucci's Body: From Rape to Reverence. | |
630 | 0 | 0 | _aIrréversible (Motion picture : 2002) |
650 | 7 |
_aART / Film & Video _2bisacsh |
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650 | 7 |
_aSOCIAL SCIENCE / Media Studies _2bisacsh |
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856 | 4 | 2 |
_3Cover image _uhttp://www.netread.com/jcusers2/bk1388/971/9780230336971/image/lgcover.9780230336971.jpg |
035 | _a(IMchF)fol15418336 | ||
005 | 20170126100806.0 | ||
001 | 60766 | ||
003 | UOWD | ||
942 | _cREGULAR | ||
999 |
_c26764 _d26764 |