| 000 | 02474cam a22003498a 4500 | ||
|---|---|---|---|
| 008 | 140716s2015 idu b 000 0 eng | ||
| 010 | _a 2014027858 | ||
| 020 | _a9789351500315 | ||
| 040 |
_aDLC _beng _cDLC _dDLC |
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| 042 | _apcc | ||
| 043 | _aa-ii--- | ||
| 050 | 0 | 0 |
_aPN1993.5.I8 _bB73 2014 |
| 082 | 0 | 0 |
_a791.4302/32092 _223 |
| 100 | 1 | _aNirmal Kumar | |
| 245 | 0 | 0 |
_aBrave new Bollywood : _bin conversation with contemporary Hindi filmmakers / _cNirmal Kumar; Preeti Chaturvedi |
| 263 | _a1409 | ||
| 260 |
_aNew Delhi : _bSAGE Publications, _cc2015. |
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| 300 |
_axvii, 272 p. : _bill. ; _c23 cm. |
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| 504 | _aIncludes bibliographical references. | ||
| 650 | 0 |
_aMotion picture producers and directors _zIndia _vInterviews |
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| 650 | 0 |
_aMotion pictures _zIndia |
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| 650 | 0 |
_aMotion pictures _xProduction and direction _zIndia |
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| 700 | 1 | _aChaturvedi, Preeti | |
| 035 | _a(IMchF)fol15317064 | ||
| 520 | _aThese are interesting times in the history of Indian cinema, particularly because the established aesthetic conventions and modes of production of the Hindi film industry are being challenged, as are the boundaries between what is alternative and what is mainstream. This book is an attempt to contextualize the upsurge in this form of cinema in Bollywood/Hindi film industry. It also aims to promote an academic enquiry into the works of these filmmakers, their religious beliefs, social moorings, cinematic influences, attitudes towards filmmaking and experiences of making movies. It will be an important reading for serious students of South Asian studies, film studies and media studies as well as the general reader who has an interest in cinema. | ||
| 505 | 0 | _aBrave new world: an introduction -- Dibabkar Banerjee: Of milieu, technique and the dialetic of anti-dumb cinema -- Kiran Rao: the personal as the voyeur- the aesthetics of meaning -- Reema Kagti: collaboration and commerce-treading the thin line -- Zoya Akhtar: Urban and unapologetic-the cinema of Zoya Akhtar -- Shonali Bose: loss and survival-the cinema of meaning -- Anusha Rizvi: Content as king-how stories create filmmakers -- Onir: the politics at the margins-being an alternative filmmaker in Bollywood -- Tigmanshu Dhulia: the alternative as mainstream-blurring boundaries in cinematic tradition -- about the authors. | |
| 650 | 7 |
_aMotion picture producers and directors _2sears |
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| 005 | 20170126100833.0 | ||
| 001 | 61136 | ||
| 003 | UOWD | ||
| 942 | _cREGULAR | ||
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