000 02564cam a2200325 a 4500
008 121001s2013 enka bq 001 0 eng
010 _a 2012035856
020 _a9780415557610
040 _aDLC
_beng
_cDLC
_dDLC
042 _apcc
050 0 0 _aPN1995.9.P7
_bD42 2013
082 0 0 _a791.4302/3
_223
100 1 _aDe Valk, Mark
245 1 4 _aThe film handbook
_cMark de Valk with Sarah Arnold
260 _aLondon :
_aNew York :
_bRoutledge, Taylor & Francis Group,
_cc2013.
260 _c©2013
300 _axxii, 323 p. :
_bill. ;
_c25 cm.
490 0 _aMedia practice
504 _aIncludes bibliographical references (p. 301-307) and index.
504 _aIncludes filmography.
505 0 _aIntroduction -- Film language and aestetics. Renaissance of (digital) film -- Developing mise-en-scene -- Directing the actor -- Cinematography: painting with motion -- Sound underpinning image -- Editing: temporality & structure -- Film theory in practice. Reading the screen -- Spectatorship and audience -- Contemporary cinema -- Eisenstein and Bazin: formalism & realism, two modes of practice -- Genre -- Guerrilla filmmaking: practice as subversion. Experimentation and the short film format -- Working with non-professional actors -- The avant-garde, subtext, & symbolism -- Documentary as resistance -- Persistence of vision. screenwriting: from script to screen / John Brice -- Soundtracks: using music in film / Paul Rutter -- Post film: technology and the digital film -- MERGING AND IMMERGING MEDIA: DEVELOPING A PROFESSIONAL SPECIALISM. Post-film: production, distribution and consumption in the digital age -- Mapping a career path.
650 0 _aMotion pictures
_xProduction and direction
700 1 _aArnold, Sarah,
_d1980-
035 _a(IMchF)fol14509489
520 _aThe 'Film Handbook' examines the current state of filmmaking and how film language, technique and aesthetics are being utilised for today's 'digital film' productions. It reflects on how critical analysis' of film underpins practice and story, and how developing an autonomous 'vision' will best aid student creativity. The 'Film Handbook' offers practical guidance on a range of traditional and independent 'guerrilla' film production methods, from developing script ideas and the logistics of planning the shoot to cinematography, sound and directing practices. Film professionals share advice of their creative and practical experiences shooting both on digital and film forms.
005 20170126101221.0
001 64891
003 UOWD
942 _cREGULAR
999 _c29896
_d29896