000			02961 a2200265 4500
999			_c31507 _d31507
020			_a9788890026140
082			_a780 BI VI
100			_aBianchini, Riccardo _95393
245			_aVirtual sound : _bsound synthesis and signal processing : theory and practice with Csound _cRiccardo Bianchini , Alessandro Cipriani
260			_aRome : _bContempo, _cc2011.
300			_axvii, 362 p. : _bill. ; _c24 cm.
500			_aNotes:"Translated from the Italian by Agostino Di Scipio"--Title page verso. "The authors have revised and upgraded the text for this English edition"--Title page verso.
500			_aOther Titles: Suono virtuale.
505			_a1. Introduction : digital control application to power electronic circuits <br>1.1. Modern power electronics <br>1.2. Why digital control <br>1.3. Trends and perspectives <br>1.4. What is in this book <br>2. The test case : a single-phase voltage source inverter <br>2.1. The voltage source inverter <br>2.2. Low-level control of the voltage source inverter : PWM modulation <br>2.3. Analog control approaches <br>3. Digital current mode control <br>3.1. Requirements of the digital controller <br>3.2. Basic digital current control implementations <br>4. Extension to three-phase inverters <br>4.1. The [alpha][beta] transformation <br>4.2. Space vector modulation <br>4.3. The rotating reference frame current controller <br>5. External control loops <br>5.1. Modeling the internal current loop <br>5.2. Design of voltage controllers <br>5.3. Large bandwidth controllers <br>5.4. Narrow bandwidth controllers <br>5.5. Other applications of the current controlled VSI <br>6. Conclusions <br>7. About the authors.
520			_aVirtual Sound is an in-depth tutorial in computer music, complete with user-friendly exercises in Csound that illustrate the theory and practice of each type of sound synthesis and processing. The subjects covered include additive synthesis, subtractive synthesis, flow-charts, control signals, vibrato and tremolo, 3-D sound, sampling, analysis and resynthesis, MIDI files and MIDI controls, amplitude and ring modulation, frequency modulation (FM), echo, reverberation, chorus, flanger, phaser, convolution, waveshaping and vector synthesis, granular synthesis, formant synthesis, and physical modeling. If you have a basic understanding of computers and the fundamentals of acoustics, you'll have no trouble reading this book. After having read it, you should be able to use other commercial or research-oriented software with a greater understanding of how it functions.
650			_aComputer music _vInstruction and study _95394
650			_aComputer composition _95395
650			_aCSound (Computer program language) _95396
650			_aComputer sound processing _95397
650			_aMusic _vData processing _95398
650			_aMusical notation _vData processing _95399
650			_aSignal processing _95225
700			_aCipriani, Alessandro _95400
942			_cREGULAR