000 | 01892nam a22002891i 4500 | ||
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999 |
_c33002 _d33002 |
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001 | ybp13286643 | ||
020 | _a9781786720399 (electronic bk.) | ||
020 | _a9781784532840 | ||
020 | _a1786720396 (electronic bk.) | ||
040 | _aNhCcYBP | ||
082 | 0 | 4 | _a791.43015 MC FI |
100 | 1 |
_aMcWhirter, Andrew _912226 |
|
245 | 1 | 0 |
_aFilm criticism and digital cultures : _bjournalism, social media and the democratisation of opinion _cAndrew McWhirter |
260 |
_aLondon: 2016. _bI.B. Tauris, _cc2016. |
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300 |
_aix, 262 p. : _bill. ; _c23 cm. |
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490 | 1 |
_aInternational library of the moving image ; _v37 |
|
500 | _aIncludes filmography (pages 229-231) | ||
504 | _aIncludes bibliographical references (pages 233-257) and index | ||
505 | _aMachine generated contents note: 1.The Death of the Critic in the Digital Media Age 2.(Film) Criticism 3.Film Critics in Print 4.Film Criticism Online 5.`Other' Film Criticism. | ||
520 | _aHistorical perspectives on criticism from ancient times and current debates in journalism and digital media are used to unravel questions, such as: what is the relationship between crisis and criticism? In what way does the web change the functions and habits of practitioners? What influences do film industries have on the critical act? And how engaged are practitioners with converged and creative film criticism such as the video essay? In the face of transformative digital idealism, empirical findings here redress the balance and argue the case for evolution rather than revolution taking place within film criticism. | ||
650 | 0 |
_aFilm criticism _95743 |
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650 | 0 |
_aMass media criticism _912227 |
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650 | 0 |
_aPERFORMING ARTS / Reference _916570 |
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830 | 0 |
_aInternational library of the moving image _912228 |
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856 | 4 | 0 |
_uhttp://ebookcentral.proquest.com/lib/UOW/detail.action?docID=4751285 _zAccess electronically |
942 | _cREGULAR |