000 | 02002cam a2200265 a 4500 | ||
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999 |
_c33391 _d33391 |
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001 | 12893653 | ||
008 | 180228b xxu||||| |||| 00| 0 eng d | ||
020 | _a9781906924034 | ||
020 | _a9781906924058 | ||
040 | _aStSaUL | ||
082 | _a791.4309046 KO AL | ||
100 | 1 |
_aKolker, Robert Phillip _913680 |
|
245 | 1 | 4 |
_aThe altering eye : _bcontemporary international cinema _cRobert Phillip Kolker |
250 | _aRev. ed., with a new preface and an updated bibliography | ||
260 |
_aCambridge : _bOpen Book Publishers, _cc2009. |
||
300 |
_axvi, 326 p. : _bill. ; _c23 cm. |
||
500 | _a"First edition published in 1983 by Oxford University Press"--Verso of t.p. | ||
504 | _aIncludes bibliography (p. [299-313) and index. | ||
505 | 0 | _aNew Preface -- Introduction -- 1. The Validity of the Image -- 2. The Substance of Form -- 3. Politics, Psychology, and Memory -- Notes -- Annotated Bibliography -- Selected Bibliography on European Cinema Since 1983 -- Index. | |
520 | _a"The Altering Eye covers a "golden age" of international cinema from the end of WWII through to the New German Cinema of the 1970s. Combining historical, political, and textual analysis, Kolker develops a pattern of cinematic invention and experimentation from neorealism through the modernist interventions of Jean-Luc Godard and Rainer Maria Fassbinder, focusing along the way on such major figures as Luis Bu�nuel, Joseph Losey, the Brazilian director Glauber Rocha, and the work of major Cuban filmmakers. Kolker's book has become a much quoted classic in the field of film studies providing essential reading for anybody interested in understanding the history of European and international cinema. This new and revised edition includes a substantive new preface by the author and an updated bibliography."--Publisher's website. | ||
650 | 0 |
_aMotion pictures _xPhilosophy _912315 |
|
650 | 0 |
_aMotion picture plays _xHistory and criticism _914951 |
|
730 | 0 |
_aOpen Book Publishers _913682 |
|
942 | _cREGULAR |