Film theory and criticism : introductory readings Edited by Leo Braudy, Marshall Cohen - 8th ed. - New York : Oxford University Press, c2016. - xviii, 940 p. : ill. ; 24 cm.
From Film Technique / Vsevolod Pudovkin
[On Editing] / Vsevolod Pudovkin
From Film Form / Sergei Eisenstein
Beyond the Shot [The Cinematographic Principle and the Ideogram] / Sergei Eisenstein
The Dramaturgy of Film Form [The Dialectical Approach to Film Form] / Sergei Eisenstein
From What Is Cinema? / Andre Bazin
The Evolution of the Language of Cinema / Andre Bazin
From Film Language / Christian Metz
Some Points in the Semiotics of the Cinema / Christian Metz
Semiotics and the Cinema: Metz and Wollen / Gilbert Harman
The Discourse of Pictures: Iconicity and Film Studies / Stephen Prince
The Tutor-Code of Classical Cinema / Daniel Dayan
Against "The System of the Suture" / William Rothman
From Theory of Film / Siegfried Kracauer
Basic Concepts / Siegfried Kracauer
The Ontology of the Photographic Image / Andre Bazin
The Myth of Total Cinema / Andre Bazin
De Sica: Metteur-En-Scene / Andre Bazin
From Film as Art / Rudolf Arnheim
The Complete Film / Rudolf Arnheim
The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema / Jean-Louis Baudry
From Mystifying Movies / Noël Carroll
Jean-Louis Baudry and "The Apparatus" / Noël Carroll
The Establishment of Physical Existence / Siegfried Kracauer
From Theory of the Film / Bela Balks
The Close-up / Bela Balks
The Face of Man / Bela Balks
Film and Reality / Rudolf Arnheim
The Making of a Film / Rudolf Arnheim
Ideological Effects of the Basic Cinematographic Apparatus / Jean-Louis Baudry
From Theorizing the Moving Image / Noel Carroll
Defining the Moving Image / Noel Carroll
From The Virtual Life of Film / D.N. Rodowick
An Elegy for Film / D.N. Rodowick
Statement on Sound / Vsevolod Pudovkin / Grigori Alexandrov / Sergei Eisenstein
Aural Objects / Christian Metz
From The Voice in Cinema / Michel Chion
The Voice in the Cinema: The Articulation of Body and Space / Mary Ann Doane
Technology and Aesthetics of Film Sound / John Belton
From Sound Theory/Sound Practice / Rick Altman
Four and a Half Film Fallacies / Rick Altman
Theater and Cinema / Andre Bazin
From The World in a Frame / Leo Braudy
Acting: Stage vs. Screen / Leo Braudy
From Concepts in Film Theory / Dudley Andrew
Adaptation / Dudley Andrew
From D.W. Griffith and the Origins of American Narrative Film / Tom Gunning
Narrative Discourse and the Narrator System / Tom Gunning
Film Music and Narrative Agency / Jerrold Levinson
Peter Wollen Godard and Counter Cinema: Vent d'est / Jerrold Levinson
Notes on Spectator Emotion and Ideological Film Criticism / Carl Plantinga
Notes on the Auteur Theory in 1962 / Andrew Sarris
From Signs and Meaning in the Cinema 404 The Auteur Theory [Howard Hawks and John Ford] / Peter Wollen
The Face of Garbo / Roland Barthes
From From Reverence to Rape / Molly Haskell
Female Stars of the 1940s / Molly Haskell
From The Material Ghost / Gilberto Perez
[On Keaton and Chaplin] / Gilberto Perez
From Stars / Richard Dyer
From The Genius of the System / Thomas Schatz
"The Whole Equation of Pictures" / Thomas Schatz
From America's Corporate Art: The Studio Authorship of Hollywood Motion Pictures / Jerome Christensen
Genre: The Conventions of Connection / Leo Braudy
From Film/Genre / Rick Altman
A Semantic/Syntactic Approach to Film Genre / Rick Altman
Conclusion: A Semantic/Syntactic/Pragmatic Approach to Genre / Rick Altman
Notes on Film Noir / Paul Schrader
Ideology, Genre, Auteur / Robin Wood
Film Bodies: Gender, Genre, and Excess / Linda Williams
From Men, Women, and Chainsaws / Carol Clover
Feminist Frameworks for Horror Films / Cynthia A. Freeland
The Art Cinema as a Mode of Film Practice / David Bordwell
Cinema/Ideology/Criticism / Jean-Louis Comolli / Jean Narboni
From The Imaginary Signifier / Christian Metz
Identification, Mirror / Christian Metz
The Passion for Perceiving / Christian Metz
Disavowal, Fetishism / Christian Metz
Visual Pleasure and Narrative Cinema / Laura Mulvey
From The Women Who Knew Too Much: Hitchcock and Feminist Theory / Tania Modleski
The Master's Dollhouse: Rear Window / Tania Modleski
An Aesthetic of Astonishment: Early Film and the (In) Credulous Spectator / Tom Gunning
From White / Richard Dyer
Lighting for Whiteness / Richard Dyer
Black Spectatorship: Problems of Identification and Resistance / Manthia Diawara
The Oppositional Gaze: Black Female Spectators / Bell Hooks
The Mulatto Cyborg: Imagining a Multiracial Future / Leilani Nishime
From The Language of New Media / Lev Manovich
Synthetic Realism and Its Discontents / Lev Manovich
The Synthetic Image and Its Subject / Lev Manovich
Digital Cinema and the History of a Moving Image / Lev Manovich
From Change Mummified / Philip Rosen
The World in the Palm of Your Hand: Agnes Varda, Trinh T. Minh-ha, and the Digital Documentary / John Belton
The Digital Multitude / Kristen Whissel
Cinema 3.0: The Interactive-Image / Kristen Daly
Tarantino's Star Wars? Digital Cinema, Media Convergence, and Participatory Culture / Henry Jenkins Quentin
Time Zones and Jetlag: The Flows and Phases of World Cinema / Dudley Andrew
From Unthinking Eurocentrism: Multiculturalism and the Media / Robert Stam / Ella Shohat
Stereotype, Realism, and the Struggle Over Representation / Robert Stam / Ella Shohat
Reconceptualizing National Cinema(s) / Stephen Crofts
The Difficulty of Being Radical: The Discipline of Film Studies and the Postcolonial World Order / Mitsuhiro Yoshimoto
Film and Cultural Identity / Rey Chow
Chinese Cinema and Transnational Film Studies / Yingjin Zhang
Issues in World Cinema / Wimal Dissanayake.
9780199376896 (acidfree paper)
2015046163
Motion pictures
Film criticism
791.43 FI LM
From Film Technique / Vsevolod Pudovkin
[On Editing] / Vsevolod Pudovkin
From Film Form / Sergei Eisenstein
Beyond the Shot [The Cinematographic Principle and the Ideogram] / Sergei Eisenstein
The Dramaturgy of Film Form [The Dialectical Approach to Film Form] / Sergei Eisenstein
From What Is Cinema? / Andre Bazin
The Evolution of the Language of Cinema / Andre Bazin
From Film Language / Christian Metz
Some Points in the Semiotics of the Cinema / Christian Metz
Semiotics and the Cinema: Metz and Wollen / Gilbert Harman
The Discourse of Pictures: Iconicity and Film Studies / Stephen Prince
The Tutor-Code of Classical Cinema / Daniel Dayan
Against "The System of the Suture" / William Rothman
From Theory of Film / Siegfried Kracauer
Basic Concepts / Siegfried Kracauer
The Ontology of the Photographic Image / Andre Bazin
The Myth of Total Cinema / Andre Bazin
De Sica: Metteur-En-Scene / Andre Bazin
From Film as Art / Rudolf Arnheim
The Complete Film / Rudolf Arnheim
The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema / Jean-Louis Baudry
From Mystifying Movies / Noël Carroll
Jean-Louis Baudry and "The Apparatus" / Noël Carroll
The Establishment of Physical Existence / Siegfried Kracauer
From Theory of the Film / Bela Balks
The Close-up / Bela Balks
The Face of Man / Bela Balks
Film and Reality / Rudolf Arnheim
The Making of a Film / Rudolf Arnheim
Ideological Effects of the Basic Cinematographic Apparatus / Jean-Louis Baudry
From Theorizing the Moving Image / Noel Carroll
Defining the Moving Image / Noel Carroll
From The Virtual Life of Film / D.N. Rodowick
An Elegy for Film / D.N. Rodowick
Statement on Sound / Vsevolod Pudovkin / Grigori Alexandrov / Sergei Eisenstein
Aural Objects / Christian Metz
From The Voice in Cinema / Michel Chion
The Voice in the Cinema: The Articulation of Body and Space / Mary Ann Doane
Technology and Aesthetics of Film Sound / John Belton
From Sound Theory/Sound Practice / Rick Altman
Four and a Half Film Fallacies / Rick Altman
Theater and Cinema / Andre Bazin
From The World in a Frame / Leo Braudy
Acting: Stage vs. Screen / Leo Braudy
From Concepts in Film Theory / Dudley Andrew
Adaptation / Dudley Andrew
From D.W. Griffith and the Origins of American Narrative Film / Tom Gunning
Narrative Discourse and the Narrator System / Tom Gunning
Film Music and Narrative Agency / Jerrold Levinson
Peter Wollen Godard and Counter Cinema: Vent d'est / Jerrold Levinson
Notes on Spectator Emotion and Ideological Film Criticism / Carl Plantinga
Notes on the Auteur Theory in 1962 / Andrew Sarris
From Signs and Meaning in the Cinema 404 The Auteur Theory [Howard Hawks and John Ford] / Peter Wollen
The Face of Garbo / Roland Barthes
From From Reverence to Rape / Molly Haskell
Female Stars of the 1940s / Molly Haskell
From The Material Ghost / Gilberto Perez
[On Keaton and Chaplin] / Gilberto Perez
From Stars / Richard Dyer
From The Genius of the System / Thomas Schatz
"The Whole Equation of Pictures" / Thomas Schatz
From America's Corporate Art: The Studio Authorship of Hollywood Motion Pictures / Jerome Christensen
Genre: The Conventions of Connection / Leo Braudy
From Film/Genre / Rick Altman
A Semantic/Syntactic Approach to Film Genre / Rick Altman
Conclusion: A Semantic/Syntactic/Pragmatic Approach to Genre / Rick Altman
Notes on Film Noir / Paul Schrader
Ideology, Genre, Auteur / Robin Wood
Film Bodies: Gender, Genre, and Excess / Linda Williams
From Men, Women, and Chainsaws / Carol Clover
Feminist Frameworks for Horror Films / Cynthia A. Freeland
The Art Cinema as a Mode of Film Practice / David Bordwell
Cinema/Ideology/Criticism / Jean-Louis Comolli / Jean Narboni
From The Imaginary Signifier / Christian Metz
Identification, Mirror / Christian Metz
The Passion for Perceiving / Christian Metz
Disavowal, Fetishism / Christian Metz
Visual Pleasure and Narrative Cinema / Laura Mulvey
From The Women Who Knew Too Much: Hitchcock and Feminist Theory / Tania Modleski
The Master's Dollhouse: Rear Window / Tania Modleski
An Aesthetic of Astonishment: Early Film and the (In) Credulous Spectator / Tom Gunning
From White / Richard Dyer
Lighting for Whiteness / Richard Dyer
Black Spectatorship: Problems of Identification and Resistance / Manthia Diawara
The Oppositional Gaze: Black Female Spectators / Bell Hooks
The Mulatto Cyborg: Imagining a Multiracial Future / Leilani Nishime
From The Language of New Media / Lev Manovich
Synthetic Realism and Its Discontents / Lev Manovich
The Synthetic Image and Its Subject / Lev Manovich
Digital Cinema and the History of a Moving Image / Lev Manovich
From Change Mummified / Philip Rosen
The World in the Palm of Your Hand: Agnes Varda, Trinh T. Minh-ha, and the Digital Documentary / John Belton
The Digital Multitude / Kristen Whissel
Cinema 3.0: The Interactive-Image / Kristen Daly
Tarantino's Star Wars? Digital Cinema, Media Convergence, and Participatory Culture / Henry Jenkins Quentin
Time Zones and Jetlag: The Flows and Phases of World Cinema / Dudley Andrew
From Unthinking Eurocentrism: Multiculturalism and the Media / Robert Stam / Ella Shohat
Stereotype, Realism, and the Struggle Over Representation / Robert Stam / Ella Shohat
Reconceptualizing National Cinema(s) / Stephen Crofts
The Difficulty of Being Radical: The Discipline of Film Studies and the Postcolonial World Order / Mitsuhiro Yoshimoto
Film and Cultural Identity / Rey Chow
Chinese Cinema and Transnational Film Studies / Yingjin Zhang
Issues in World Cinema / Wimal Dissanayake.
9780199376896 (acidfree paper)
2015046163
Motion pictures
Film criticism
791.43 FI LM