000 -LEADER |
fixed length control field |
03108cam a22002894a 4500 |
FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
091218s2011 maua b 001 0 eng |
LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2009052212 |
INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780205737543 |
CATALOGING SOURCE |
Original cataloging agency |
DLC |
Transcribing agency |
DLC |
Modifying agency |
DLC |
-- |
ICrlF |
LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PN1994 |
Item number |
.G47 2011 |
DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
791.43 |
Edition number |
23 |
SYSTEM CONTROL NUMBER |
System control number |
(IMchF)fol12961060 |
DATE AND TIME OF LATEST TRANSACTION |
control field |
20170126100031.0 |
CONTROL NUMBER |
control field |
53694 |
CONTROL NUMBER IDENTIFIER |
control field |
UOWD |
MAIN ENTRY--PERSONAL NAME |
Personal name |
Giannetti, Louis D. |
TITLE STATEMENT |
Title |
Understanding movies / |
Statement of responsibility, etc |
Louis Giannetti. |
EDITION STATEMENT |
Edition statement |
12th ed. |
PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc |
New Jersey : |
Name of publisher, distributor, etc |
Pearson, |
Date of publication, distribution, etc |
c2011. |
PHYSICAL DESCRIPTION |
Extent |
xxvii, 546 p. : |
Other physical details |
ill. (some col.) ; |
Dimensions |
25 cm. |
SUMMARY, ETC. |
Summary, etc |
Examines how motion pictures communicate and the language systems and techniques used in conveying meaning, and includes production stills that highlight the topics discussed. |
BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references and index. |
STUDY PROGRAM INFORMATION NOTE |
Program name |
MMC926 |
FORMATTED CONTENTS NOTE |
Formatted contents note |
Preface 1 Photography: Overview Realism and Formalism The Shots The Angles Light and Dark Color Lenses, Filters, and Stocks Special Effects The Cinematographer Further reading 2 Mise En Scne: Overview The Frame Composition and Design Territorial Space Proxemic Patters Open and Closed Forms Further Reading 3 Movement: Overview Kinetics The Moving Camera Mechanical Distortions of Movement Further Reading 4 Editing: Overview Continuity D.W. Griffith and Classical Cutting Soviet Montage and the Formalist Tradition Andre Bazin and the Tradition of Realism Hitchcock's North by Northwest:Storyboard Version Further Reading 5 Sound: Overview Historical Background Sound Effects Music Musicals Spoken Language Further Reading 6 Acting: Overview Stage and Screen Acting The American Star System Styles of Acting Casting Further Reading 7 Drama: Overview Time, Space, Language The Director Settings and DFcor Costumes and Makeup Further Reading 8 Story: Overview Narration The Spectator The Classical Paradigm Realistic Narratives Formalist Narratives Nonfiction Narratives Genre and Myth Further Reading 9 WRITING Overview The Screenwriter The Screenplay North by Northwest: Reading Version Figurative Comparisons Point of View Literary Adaptations Further Reading 10 IDEOLOGY: Overview The-Left-Center-Right Model Culture, Religion, and Ethnicity Feminism Queer Cinema Tone Further Reading 11 Critique: Overview Theories of Realism Formalist Film Theories The Auteur Theory Eclectic and Synthesizing Approaches Structuralism and Semiology Historiography Further Reading 12 Synthesis: Citizen Kane: Overview Photography Mise en ScTne Movement Editing Sound Acting Drama Story Writing Ideology Critique Further Reading Glossary Index |
SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Motion pictures. |
ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
REGULAR |