The visual story : (Record no. 23628)

000 -LEADER
fixed length control field 02566nam a22003018a 4500
FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 070627s2007 ne b 001 0 eng
LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2007026803
INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780240807799 (pbk.)
CATALOGING SOURCE
Original cataloging agency DLC
Transcribing agency DLC
Modifying agency DLC
LIBRARY OF CONGRESS CALL NUMBER
Classification number TR850
Item number .B514 2007
DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 778.5/3
Edition number 22
SYSTEM CONTROL NUMBER
System control number (IMchF)fol13430527
DATE AND TIME OF LATEST TRANSACTION
control field 20170126100407.0
CONTROL NUMBER
control field 56920
CONTROL NUMBER IDENTIFIER
control field UOWD
MAIN ENTRY--PERSONAL NAME
Personal name Block, Bruce
TITLE STATEMENT
Title The visual story :
Remainder of title creating the structure of film, television, and visual media /
Statement of responsibility, etc Bruce Block.
EDITION STATEMENT
Edition statement 2nd ed.
PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc Amsterdam ;
-- Boston :
Name of publisher, distributor, etc Focal Press,
Date of publication, distribution, etc 2007.
PROJECTED PUBLICATION DATE
Projected publication date 0711
PHYSICAL DESCRIPTION
Extent xii, 297 p. :
Other physical details col. ill. ;
Dimensions 26 cm.
BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc Includes bibliographical references and index.
FORMATTED CONTENTS NOTE
Formatted contents note The visual components -- Contrast and affinity -- Space part one -- Space part two -- Line and shape -- Tonecolor -- Movement -- Rhythym -- Story and visual structure -- Practice, not theory.
SUMMARY, ETC.
Summary, etc The Visual Story offers a clear view of the relationship between the story/script structure and the visual structure of a film, video, or multimedia work. An understanding of the visual components will serve as the guide to strengthening the overall story. The Visual Story divides what is seen on screen into tangible sections: contrast and affinity, space, line and shape, tone, color, movement, and rhythm. The vocabulary as well as the insight is provided to purposefully control the given components to create the ultimate visual story. For example: know that a saturated yellow will always attract a viewer's eye first; decide to avoid abrupt editing by mastering continuum of movement; and benefit from the suggested list of films to study rhythmic control. The Visual Story shatters the wall between theory and practice, bringing these two aspects of the craft together in an essential connection for all those creating visual stories. Bruce Block has the production credentials to write this definitive guide. His expertise is in demand, and he gives seminars at the American Film Institute, PIXAR Studios, Walt Disney Feature and Television Animation, Dreamworks Animation, Nickelodeon Animation Studios, Industrial Light & Magic and a variety of film schools in Europe. The concepts in this book will benefit writers, directors, photographers, production designers, art directors, and editors who are always confronted by the same visual problems that have faced every picture maker in the past, present, and future.
SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Cinematography.
SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Video recording.
ADDED ENTRY ELEMENTS (KOHA)
Koha item type REGULAR
Holdings
Lost status Source of classification or shelving scheme Damaged status Not for loan Permanent Location Current Location Shelving location Date acquired Source of acquisition Full call number Barcode Date last seen Cost, replacement price Price effective from Koha item type
        University of Wollongong in Dubai University of Wollongong in Dubai MAIN 2014-05-06 AMAUS 778.53 BL VI T0010587 2017-01-26 22.17 2017-01-26 REGULAR

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