000 -LEADER |
fixed length control field |
02566nam a22003018a 4500 |
FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
070627s2007 ne b 001 0 eng |
LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2007026803 |
INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780240807799 (pbk.) |
CATALOGING SOURCE |
Original cataloging agency |
DLC |
Transcribing agency |
DLC |
Modifying agency |
DLC |
LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
TR850 |
Item number |
.B514 2007 |
DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
778.5/3 |
Edition number |
22 |
SYSTEM CONTROL NUMBER |
System control number |
(IMchF)fol13430527 |
DATE AND TIME OF LATEST TRANSACTION |
control field |
20170126100407.0 |
CONTROL NUMBER |
control field |
56920 |
CONTROL NUMBER IDENTIFIER |
control field |
UOWD |
MAIN ENTRY--PERSONAL NAME |
Personal name |
Block, Bruce |
TITLE STATEMENT |
Title |
The visual story : |
Remainder of title |
creating the structure of film, television, and visual media / |
Statement of responsibility, etc |
Bruce Block. |
EDITION STATEMENT |
Edition statement |
2nd ed. |
PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc |
Amsterdam ; |
-- |
Boston : |
Name of publisher, distributor, etc |
Focal Press, |
Date of publication, distribution, etc |
2007. |
PROJECTED PUBLICATION DATE |
Projected publication date |
0711 |
PHYSICAL DESCRIPTION |
Extent |
xii, 297 p. : |
Other physical details |
col. ill. ; |
Dimensions |
26 cm. |
BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references and index. |
FORMATTED CONTENTS NOTE |
Formatted contents note |
The visual components -- Contrast and affinity -- Space part one -- Space part two -- Line and shape -- Tonecolor -- Movement -- Rhythym -- Story and visual structure -- Practice, not theory. |
SUMMARY, ETC. |
Summary, etc |
The Visual Story offers a clear view of the relationship between the story/script structure and the visual structure of a film, video, or multimedia work. An understanding of the visual components will serve as the guide to strengthening the overall story. The Visual Story divides what is seen on screen into tangible sections: contrast and affinity, space, line and shape, tone, color, movement, and rhythm. The vocabulary as well as the insight is provided to purposefully control the given components to create the ultimate visual story. For example: know that a saturated yellow will always attract a viewer's eye first; decide to avoid abrupt editing by mastering continuum of movement; and benefit from the suggested list of films to study rhythmic control. The Visual Story shatters the wall between theory and practice, bringing these two aspects of the craft together in an essential connection for all those creating visual stories. Bruce Block has the production credentials to write this definitive guide. His expertise is in demand, and he gives seminars at the American Film Institute, PIXAR Studios, Walt Disney Feature and Television Animation, Dreamworks Animation, Nickelodeon Animation Studios, Industrial Light & Magic and a variety of film schools in Europe. The concepts in this book will benefit writers, directors, photographers, production designers, art directors, and editors who are always confronted by the same visual problems that have faced every picture maker in the past, present, and future. |
SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Cinematography. |
SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Video recording. |
ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
REGULAR |