000 -LEADER |
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02474cam a22003498a 4500 |
FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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140716s2015 idu b 000 0 eng |
LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2014027858 |
INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9789351500315 |
CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Transcribing agency |
DLC |
Modifying agency |
DLC |
AUTHENTICATION CODE |
Authentication code |
pcc |
GEOGRAPHIC AREA CODE |
Geographic area code |
a-ii--- |
LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PN1993.5.I8 |
Item number |
B73 2014 |
DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
791.4302/32092 |
Edition number |
23 |
SYSTEM CONTROL NUMBER |
System control number |
(IMchF)fol15317064 |
DATE AND TIME OF LATEST TRANSACTION |
control field |
20170126100833.0 |
CONTROL NUMBER |
control field |
61136 |
CONTROL NUMBER IDENTIFIER |
control field |
UOWD |
MAIN ENTRY--PERSONAL NAME |
Personal name |
Nirmal Kumar |
TITLE STATEMENT |
Title |
Brave new Bollywood : |
Remainder of title |
in conversation with contemporary Hindi filmmakers / |
Statement of responsibility, etc |
Nirmal Kumar; Preeti Chaturvedi |
PROJECTED PUBLICATION DATE |
Projected publication date |
1409 |
PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc |
New Delhi : |
Name of publisher, distributor, etc |
SAGE Publications, |
Date of publication, distribution, etc |
c2015. |
PHYSICAL DESCRIPTION |
Extent |
xvii, 272 p. : |
Other physical details |
ill. ; |
Dimensions |
23 cm. |
BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references. |
SUMMARY, ETC. |
Summary, etc |
These are interesting times in the history of Indian cinema, particularly because the established aesthetic conventions and modes of production of the Hindi film industry are being challenged, as are the boundaries between what is alternative and what is mainstream. This book is an attempt to contextualize the upsurge in this form of cinema in Bollywood/Hindi film industry. It also aims to promote an academic enquiry into the works of these filmmakers, their religious beliefs, social moorings, cinematic influences, attitudes towards filmmaking and experiences of making movies. It will be an important reading for serious students of South Asian studies, film studies and media studies as well as the general reader who has an interest in cinema. |
FORMATTED CONTENTS NOTE |
Formatted contents note |
Brave new world: an introduction -- Dibabkar Banerjee: Of milieu, technique and the dialetic of anti-dumb cinema -- Kiran Rao: the personal as the voyeur- the aesthetics of meaning -- Reema Kagti: collaboration and commerce-treading the thin line -- Zoya Akhtar: Urban and unapologetic-the cinema of Zoya Akhtar -- Shonali Bose: loss and survival-the cinema of meaning -- Anusha Rizvi: Content as king-how stories create filmmakers -- Onir: the politics at the margins-being an alternative filmmaker in Bollywood -- Tigmanshu Dhulia: the alternative as mainstream-blurring boundaries in cinematic tradition -- about the authors. |
SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Motion picture producers and directors |
Geographic subdivision |
India |
Form subdivision |
Interviews |
SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Motion pictures |
Geographic subdivision |
India |
SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Motion pictures |
General subdivision |
Production and direction |
Geographic subdivision |
India |
SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Motion picture producers and directors |
Source of heading or term |
sears |
ADDED ENTRY--PERSONAL NAME |
Personal name |
Chaturvedi, Preeti |
ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
REGULAR |