The cartoons that shook the world / Jytte Klausen.
Material type: TextPublication details: New Haven, Conn. : Yale University Press, 2009.Description: 230 p. : ill. ; 25 cmISBN:- 9780300124729
- Cartoons that shook the world
- Caricatures and cartoons -- Political aspects -- Denmark
- Muslims -- Denmark -- Politics and government -- 21st century
- Protest movements -- Denmark -- History -- 21st century
- Caricatures and cartoons -- Political aspects -- Islamic countries
- anity and other religions -- Islam -- Case studies
- Blasphemy (Islam) -- Case studies
- Islamic countries -- Relations -- Denmark
- 363.4 KL CA
Item type | Current library | Call number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|
REGULAR | University of Wollongong in Dubai Main Collection | 363.4 KL CA (Browse shelf(Opens below)) | Available | T0042060 |
Includes bibliographical references and index.
On September 30, 2005 the Danish newspaper published twelve cartoons of the Prophet Muhammad. Five months later, thousands of Muslims inundated the newspaper with outpourings of anger and grief by phone, email, and fax; from Asia to Europe Muslims took to the streets in protest. This book is the first comprehensive investigation of the conflict that aroused impassioned debates around the world on freedom of expression, blasphemy, and the nature of modern Islam Jytte Klausen interviewed politicians in the Middle East, Muslim leaders in Europe, the Danish editors and cartoonists, and the Danish imam who started the controversy. Following the winding trail of protests across the world, she deconstructs the arguments and motives that drove the escalation of the increasingly globalized conflict. She concludes that the Muslim reaction to the cartoons was not as was commonly assumed a spontaneous emotional reaction arising out of the clash of Western and Islamic civilizations. Rather it was orchestrated, first by those with vested interests in elections in Denmark and Egypt, and later by Islamic extremists seeking to destabilize governments in Pakistan, Lebanon, Libya, and Nigeria. Klausen shows how the cartoon crisis was, therefore, ultimately a political conflict rather than a colossal cultural misunderstanding.
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