Acknowledgements; Contents; Contributors; List of Figures; chapter 1: Introduction: The Plurality of Publics ; Public Uses: Deploying the Terms Public and Publics; Changing Boundaries: Privacy Becomes a Form of Public; Contemporary Publics; Bibliography; Part I: Countering Neoliberal Publics: Screen and Space; chapter 2: The Beach Beneath the Street: Art and Counterpublics ; Bibliography; chapter 3: A Hungry Public: Stranger Relationality and the Blak Wave ; Public Personhood; Addressing a Hungry Public; Belonging to a Hungry Public The Blak Wave and Stranger Relationality in The Darkside Strangerhood, Authenticity, and the Impasse; Bibliography; chapter 4: Re-membering, (Re-) appropriation, and Polyphony: SBS Independent and White Australian Memory ; Introduction; SBSi and Productive Diversity; Countermemorialising White Australian Hegemony; Countermemorial Re-membering; Countermemorial (Re-) appropriation; Countermemorial Polyphony; Conclusion; Bibliography; chapter 5: Ghosting: Putting the Volume into Screen Memory ; Notes; Bibliography; chapter 6: Dancing Dandenong: The Poetics of Spatial Politics Introduction Who Speaks for the Dancer?; Don't Kill the Tree; Big Trouble for Little India; Coda; Note; Bibliography; chapter 7: New Strategies for Old Practices ; Introduction: Strategy and Speculation; The Artefact, the Exhibition and the Artist; Profaning Old Masters; Free Campers, Swarms and Excommunication; Idle Time and Active Artists in Public Space; Notes; Bibliography; Part II: Making and Shaping Publics: Discourse and Technology; chapter 8: Media Technologies and Publics; Bibliography Chapter 9: Cosmopolitanism on Demand? Television and the Narrowing of Mediated Social Connection Conditions of Cosmopolitanism; Television Beyond Borders; News, Flow, and Television; The Attention Economy and Personalisation; Conclusion; Bibliography; chapter 10: Multilingual Publics: Fansubbing Global TV ; What's the (Language) Difference?; The Viki Difference; Multilingual Publics; Conclusion; Notes; Bibliography; chapter 11: Surveillance Publics After Edward Snowden; Deepening the Surveillant Assemblage; Vectors of Surveillance; Surveillance Publics; Bibliography Chapter 12: Stoking Expectations: Public Relations and the Politics of "Bogans" "Nobody Likes a Bogan"; Contemporary "Aussie" Publics: A Thorny Problem; Bogan Publics: Unculture and Politics; Anzac Day, Symbolism and Bogans; Political PR, Discourse and Anxiety; Conclusion: Creating New Taxonomies in PR; Notes; Bibliography; chapter 13: We Are Rhetoric. Get Over It!; Bibliography; Part III: Commodifying Public Intimacies; chapter 14: Making Cents of Contemporary Intimacies: The Private in the Public.

If the twentieth century has been dominated by discussions of the public, public life, and the public sphere, Contemporary Publics argues that, in the twenty-first century, we must complicate the singularity of that paradigm and start thinking of our world in terms of multiple, overlapping, and competing publics. In three distinct streams—art, media and technology, and the intimate life—this volume offers up the intellectual and political significance of thinking through the plurality of our publics. "Countering Neoliberal Publics: Screen and Space," explores how different artistic practices articulate the challenges and desires of multiple publics. "Making and Shaping Publics: Discourse and Technology" showcases how media shape publics, and how new and emerging publics use these technologies to construct identities. "Commodifying Public Intimacies" examines what happens to the notion of the private when intimacies structure publics, move into public spaces, and develop value that can be exchanged and circulated. P. David Marshall holds a research professorship and personal chair in New Media, Communication and Cultural Studies at Deakin University, Australia and is also a Distinguished High-End Visiting Foreign Expert at Central China University’s School of Journalism and Communication, China. He is the author, co-author, editor, or co-editor of many books including Celebrity and Power, 2nd Edition (2014), Companion to Celebrity (2015), Promotional Vistas (2016), and Persona Studies (2016). Glenn D’Cruz is a lecturer in Drama and Cultural Studies at Deakin University, Australia. He is the author of Midnight’s Orphans: Anglo-Indians in Post/Colonial Literature (2006) and the editor of Class Act: Melbourne Workers Theatre 1987-2007(2007). He has published widely in national and international journals in the areas of literary studies, performance studies and cultural studies. Sharyn McDonald is a lecturer in Reputation Management and Marketing Communication at Deakin University, Australia. Her combined teaching and industry experience spans over 20 years and has strengthened her interdisciplinary approach to research. Sharyn’s research focuses on social responsibility and issue management with a particular emphasis on non-government organisations. Katja Lee is a SSHRC postdoctoral fellow at Simon Fraser University, Canada and a member of the Persona, Celebrity, Publics Research Group at Deakin University, Australia.